Underworld Trilogy (Underworld / Underworld: Evolution / Underworld: Rise of the Lycans) (+ UltraViolet Digital Copy) [Blu-ray]

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Underworld
Blade meets The Crow and The Matrix in Underworld, a hybrid thriller that rewrites the rulebook on werewolves and vampires. It's a "cuisinart" movie (blend a lot of familiar ideas and hope something interesting happens) by which immortal vampire "death dealers" wage an old war against "Lycans" (werewolves), who've got centuries of revenge--and some rather ambitious genetic experiments--on their lycanthropic agenda. Given his preoccupation with gloomy architecture (mostly filmed in Budapest, Hungary), frenetic mayhem and gothic costuming, it's not surprise that first-time director Len Wiseman gained experience in TV commercials and also the art departments of Godzilla, Men in Black, and Independence Day. His work is surface, no substance, filled up with derivative, grand-scale action as conflicted vampire Selene (Kate Beckinsale, who later became engaged to Wiseman) struggles to rescue an ill-fated human (Scott Speedman) from Lycan transformation. It's great looking all of the way, as well as a guaranteed treat for horror buffs, that will eagerly dissect its many strengths and weaknesses. --Jeff Shannon

Underworld: Evolution
Better action, a little bit of sex, and gorier R-rated violence make Underworld: Evolution a reasonably satisfying sequel to 2003's surprise hit Underworld. Looking stunning as ever in their black leather battle gear, Kate Beckinsale is every goth guy's fantasy as Selene, the vampire "death dealer" who's now fighting to stop the release from the original "Lycan" werewolf, William (Brian Steele) in the prison that's held him for centuries. As we learn through the film's action-packed prologue, William and his brother Marcus (Tony Curran) began the bloodline of vampires and werewolves, and after witnessing centuries of warfare between them, their immortal father Corvinus (Derek Jacobi) now seeks Selene along with the human vampire/lycan hybrid Michael (Scott Speedman) to place an end to the war perpetuated by Victor (Bill Nighy), the vampire warrior whose betrayal of Selene turns Underworld: Evolution into an epic tale of familial revenge. This ambitious work for balance Shakespearean horror is compromised by strategy for a script (by Danny McBride and returning director Len Wiseman, Beckinsale's real-life husband) that's more confusing than it needs to be, with a lot of characters instead of enough storytelling detail to flesh them out. Aspiring to greatness and falling well short of this goal, Underworld: Evolution succeeds instead being a full-throttle action/horror thriller, with enough swordplay, gunplay, and CGI monsters to warrant the continuation from the Underworld franchise. In case you are an established fan, this can be a must-see movie; if not, well... at the very least it's much better than Van Helsing! --Jeff Shannon

Underworld: Rise in the Lycans
This prequel to Len Wiseman’s Underworld and Underworld: Evolution is distinctively different, especially minus the nimble vampire warrior star, Selene (Kate Beckinsale). Underworld: Rise from the Lycans takes its cues from your vampire/werewolf battles that occur inside the other films, but director Patrick Tatopoulos focuses here around the young werewolf Lucian's (Michael Sheen) rise to leadership. Rise with the Lycans is defined mostly within the walls of vampire lord Viktor’s (Bill Nighy) castle, therefore the film’s silver, black, and blue palette reflects a global happening under moonlight. From the outset, when Viktor brings Lucian, the first werewolf, in the world, this villainous bloodsucker’s daughter, Sonja (Rhona Mitra), is smitten with Lucian’s hairy appearance and instinctual intelligence. As years pass, Lucian grows sick and tired of watching his race suffer slavery and imprisonment, and recruits an individual named Raze (Kevin Grevioux) to help rebellion. This archetypal plot is not so riveting, and what carries Underworld: Rise with the Lycans are the battle scenes between vampires and werewolves, which are excitingly fast-paced and brutal. The entire film adopts a medieval battlefield aesthetic that carries an otherwise clichéd story about illicit love and freedom fighting. Some characters, like the traitor vampire Tannis (Steven Mackintosh), also intrigues throughout, as one guesses who he will ally with. Underworld: Rise of the Lycans is probably not the finest film within the werewolf and vampire archives independently, but its mixed monstrosity can make it unique and entertaining, especially on a huge screen. --Trinie Dalton

There's more to the Underworld universe than ever before before! the fundamental collection includes all three films, and to the first-time ever, exclusive original anime shorts.

Underworld
Underneath the town streets, amid the labyrinth of subway tunnels and gothic ruins, both most notorious creatures with the night are embroiled within an all-out war that has been taking place for centuries. It will be the culmination of an blood-thirsty battle involving the vampires and their mortal enemies, the werewolves. Stars: Kate Beckinsale (Pearl Harbor, My Entire Life Without Me), Scott Speedman (My Life Without Me, TV's Felicity).

Underworld: Evolution
The saga continues since the battle rages on involving the death dealers (vampires) & the lycans (werewolves) in this fast-paced modern-day tale of deadly action ruthless intrigue & forbidden love all leading towards the battle to end all wars because the immortals finally face their retribution.

Underworld: Rise from the Lycans
Underworld: Rise from the Lycans delves in to the origins in the centuries-old blood feud between your aristocratic vampires, known as Death Dealers, and the barbaric Lycans (werewolves). A young Lycan, Lucian (Michael Sheen), emerges like a powerful leader who rallies the werewolves to rise up against Viktor (Bill Nighy), the cruel vampire king that has persecuted them for countless years. Lucian is joined by his secret lover, the attractive vampire Sonja (Rhona Mitra), in his battle to free the Lycans using their brutal enslavement.