Drive (+ UltraViolet Digital Copy) [Blu-ray] (2011) review

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Denmark's Nicolas Winding Refn makes an electrifying go back to Hollywood filmmaking with this 1980s-style noir, right down towards the synth score and neon-pink credits (he released his American debut, Fear X, in 2003). Ryan Gosling puts his implacable quality to good use as an L.A. stunt driver whose world crumbles when he falls for the wrong woman (Carey Mulligan). Irene is hardly a femme fatale, but her incarcerated husband, Standard (Oscar Isaac), is yet another story. When her car breaks down, Driver recommends the car shop where he works with Shannon (Breaking Bad's Bryan Cranston). The two start spending some time together, but Standard returns from prison. Driver keeps his distance until he discovers that Standard owes protection money. If he doesn't pay up, Irene along with their son will suffer, so Driver offers to handle the wheel throughout a heist, employment with which he has greater than somewhat experience, since the riveting opening sequence proves. While they plan their score with Blanche (Mad Men's Christina Hendricks), Shannon makes a deal which has a few gangsters (Albert Brooks and Ron Perlman), but if the plans collide: all hell breaks loose. In adapting James Sallis's novel, Refn builds to some bittersweet denouement, though the bursts of bloodshed will test even the hardiest of viewers. At its best, though, Drive is just as gripping as Reagan-era crime dramas like To Reside and Die in L.A. and Thief. --Kathleen C. Fennessy

Ryan Gosling stars like a Hollywood stunt driver for movies by day and moonlights as being a wheelman for criminals by night. Though a loner by nature, “Driver” can’t help falling for each other along with his beautiful neighbor Irene (Carey Mulligan), a mother dragged in to a dangerous underworld with the return of her ex-convict husband. From a heist goes wrong, Driver finds himself driving defense for the girl he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). Soon he realizes the gangsters need over the bag of income and is also forced to shift gears and go around the offense.