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Denmark's Nicolas Winding Refn makes an electrifying return to Hollywood filmmaking with this particular 1980s-style noir, right down for the synth score and neon-pink credits (he released his American debut, Fear X, in 2003). Ryan Gosling puts his implacable quality to good use being an L.A. stunt driver whose world crumbles when he falls for your wrong woman (Carey Mulligan). Irene is hardly a femme fatale, but her incarcerated husband, Standard (Oscar Isaac), is yet another story. When her car breaks down, Driver recommends the car shop where he works with Shannon (Breaking Bad's Bryan Cranston). The two start spending some time together, however Standard returns from prison. Driver keeps his distance until he discovers that Standard owes protection money. If he doesn't pay up, Irene in addition to their son will suffer, so Driver offers to take care of the wheel within a heist, work with that they has greater than just a little experience, as the riveting opening sequence proves. Since they plan their score with Blanche (Mad Men's Christina Hendricks), Shannon is really a deal which has a few gangsters (Albert Brooks and Ron Perlman), but once the plans collide: all hell breaks loose. In adapting James Sallis's novel, Refn builds to a bittersweet denouement, although the bursts of bloodshed will test perhaps the hardiest of viewers. At its best, though, Drive is equally as gripping as Reagan-era crime dramas like To Reside and Die in L.A. and Thief. --Kathleen C. Fennessy
Ryan Gosling stars like a Hollywood stunt driver for movies by day and moonlights being a wheelman for criminals by night. Though a loner by nature, “Driver” can’t help falling for each other regarding his beautiful neighbor Irene (Carey Mulligan), a young mother dragged right into a dangerous underworld from the return of her ex-convict husband. From a heist goes wrong, Driver finds himself driving defense for the lady he loves, tailgated by the syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). Soon he realizes the gangsters want greater than the bag of income and is expected to shift gears and go on the offense.
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